Wraithwalker – Visions (2020)

Wraithwalker is a darksynth producer from Atlanta, Georgia. He’s been around in the scene since 2018, and has produced several LPs/EPs. He recently has released two mini-albums within the last month, “Preludium,” and “Visions.” I will be reviewing the latter.

The cover artwork for “Visions” reminds me of the variant cover for Hecate Enthroned‘s “Upon Promethean Shores (Unscriptured Waters).” The color scheme is much the same prominently featuring one of my favorite colors—a harsh, almost neon violet. The image itself reminds me of Carpathian Forest‘s “Through Chasm, Caves and Titan Woods.” For this type of music I think that Wraithwalker’s logo leans a little too heavily on a black metal sort of aesthetic, but I think that’s what he’s going for. It is a unique stylistic decision to couple this type of primeval vibe with music that normally would be associated with futuristic themes.

“Visions” sounds extremely European despite the fact that Wraithwalker resides in Atlanta. There is this odd little energy about this release that I can’t quite put my finger on. In one sense, it’s sounds like early eighties Disco Italia, but it also doesn’t. I think that there’s a TON of postpunk/coldwave/minimal synth influence going on here. As to whether or not that’s Wraithwalker’s conscious decision, I’m not so sure. There are also shades of early 90s à la Love is Colder Than Death from their “Teignmouth” period mixed with early 2000s gothic EDM—think Apoptygma Berzerk. For postmodern darksynth, it certainly feels eclectic, mysterious, bleak, and somewhat inaccessible. Of course, I mean that in the very best way possible.

“Blood Moon” stands out to me because it is the most upbeat track on “Visions.” I love the muddy bass pulse that the song is rooted in. Despite how energetic the percussion is here, there’s a lot of dark ambiance to this track. It really makes me feel like I’ve been left alone in a cold wilderness without any hope of survival. For such a red sounding song, it certainly takes on the foggy vibe of something that sounds dark and purple. “Scythia” and “Raven” are the most postpunk songs of the bunch. Visually, “Scythia” is greatly enhanced by the telephone-EQ put onto the sparse, but seemingly distant vocals here. To be honest, this track gives me the willies. It’s fucking nasty in a postwar prison labor camp sort of way. This is not for the faint of heart. My favorite track on the album is “Resurrection.” It has a compelling lead synth that makes me want to put some black lipstick on and hit the dance floor. This is contrasted by a lighthearted, albeit synthwavy breakdown/bridge at around 2:50 that comes completely out of nowhere. I love when producers do this sort of thing. “Plague” leans a little too heavily on the Blade Runner end theme vibe for my tastes by transposing the root of the song’s driving arpeggio down from C to an F minor scale. I do like it, but a lot of darksynth producers love going into that Vangelis space. The Spotify release of “Visions” includes a really cool remix of the opening track “Raven” while the Bandcamp release includes a cover of The Cure’s “A Forest.” I much preferred the “Raven” remix primarily because “A Forest” has been covered to DEATH. That said, both bonus tracks are great, and even though I’m not a fan of “A Forest” I think that a lot of people who come across this release will enjoy the hell out of it.

Overall, I fucking like this mini-album. “Visions” does a lot right in such a short time. It’s not overly produced, which works to its advantage as it’s a very visual EP. And while it certainly does have a darksynth vibe to it, I think it’s more darksynth adjacent. It channels a lot of energy that greatly differs in approach from other artists in the scene. If you’re in the market for something different and are in the mood for a little nastiness, check “Visions” out.

RECOMMENDED FOR: Darksynth and Horrorsynth adherents who want to step further into the dark wilderness of the human soul.

Stand-out tracks: “Raven,” “Scythia,” “Blood Moon,” and “Resurrection.”

Album Color Profile: #9C27B0

You can find all things Wraithwalker at https://wraithwalker.bandcamp.com/

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